{"id":9011,"date":"2024-08-01T10:55:58","date_gmt":"2024-08-01T14:55:58","guid":{"rendered":"https:\/\/www.radioguantanamo.icrt.cu\/english\/?p=9011"},"modified":"2024-08-01T11:24:44","modified_gmt":"2024-08-01T15:24:44","slug":"la-nueva-trova-in-cuban-cinema","status":"publish","type":"post","link":"https:\/\/www.radioguantanamo.icrt.cu\/english\/la-nueva-trova-in-cuban-cinema\/","title":{"rendered":"La nueva trova in Cuban cinema"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-9012\" src=\"https:\/\/www.radioguantanamo.icrt.cu\/english\/wp-content\/uploads\/2024\/08\/cartel_jornada_cancion_politica-e1722523603372.jpg\" alt=\"La nueva trova in Cuban cinema\" width=\"640\" height=\"360\" \/>Guantanamo.-The <strong>48th Political Song Festival<\/strong> is being held this year with a special focus: the influence of la nueva trova (the new trova) on Cuba&#8217;s audiovisual production, a topic that not only resonates in the musical sphere, but has also left an indelible mark on the island&#8217;s cinema.<\/p>\n<p>That is why this edition of the festival becomes an ideal platform to remember and celebrate the rich intersection between these two art forms.<\/p>\n<p>Since its first manifestations in the 1960s, the nueva trova has been a vehicle of expression for the social and political concerns of the Cuban people. Its connection with cinema was consolidated with the creation of the ICAIC <span class=\"ILfuVd\" lang=\"en\"><span class=\"hgKElc\">Sound Experimentation Group (GESI)<\/span><\/span>, a group that revolutionized the way music was conceived in the cinematographic context.<\/p>\n<p>This group, under the direction of figures such as Leo Brouwer, sought to fuse music with the cinema language, creating soundtracks that enriched the audiovisuals narratively. Emblematic films such as &#8220;Memorias del subdesarrollo&#8221; and &#8220;Luc\u00eda&#8221; are clear examples of how the music of the nueva trova became an integral part of the Cuban cinematographic narrative.<\/p>\n<p>Silvio Rodr\u00edguez and Pablo Milan\u00e9s, <strong>pioneers of that movement,<\/strong> left their mark on cinema, with songs used in various productions, contributing an emotional and poetic charge that elevates the stories told on screen. The lyrics of Rodr\u00edguez&#8217;s &#8220;Playa Gir\u00f3n&#8221;, for example, have resonated in documentaries dealing with Cuba&#8217;s history and challenges, becoming a symbol of resistance and hope.<\/p>\n<p><iframe loading=\"lazy\" style=\"border: none; overflow: hidden;\" src=\"https:\/\/www.facebook.com\/plugins\/post.php?href=https%3A%2F%2Fwww.facebook.com%2Fpermalink.php%3Fstory_fbid%3Dpfbid02x25mfufunHvbf2wi75befsza9r1fdSyNhu16HMG42oV7MWGPKjUgrjm9rG73xDvVl%26id%3D61562785823291&amp;show_text=true&amp;width=500\" width=\"500\" height=\"723\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Eduardo Sosa, with his ability to connect with audiences through evocative lyrics and melodies, has participated in film projects exploring contemporary issues. His song &#8220;Canto a m\u00ed mismo&#8221;, used in the documentary &#8220;Cuba: La revoluci\u00f3n que no fue&#8221;, reflects the search for identity and belonging that characterizes many Cubans today.<\/p>\n<p>Other artists such as Vicente Feli\u00fa and Sara Gonz\u00e1lez contributed significantly to this fusion. Feli\u00fa, with his unique style and committed lyrics, accompanied numerous film productions addressing current social issues.<\/p>\n<p>Sara Gonz\u00e1lez, known for her powerful voice and political commitment, left a significant mark on Cuban cinema with her performances in films, portraying the people\u00b4s daily life and struggles.<\/p>\n<p>The <strong>48th Political Song Festival <\/strong>reminds us that the nueva trova is not only a musical phenomenon; it is a cultural movement that has permeated all aspects of Cuban life, including cinema. Through their lyrics and melodies, these artists have created a bridge between music and the seventh art, thus enriching Cuba&#8217;s cultural heritage and offering a powerful voice to the people\u00b4s struggles and hopes. In this space of reflection and celebration, it is essential to recognize and value this connection that continues to inspire new generations of creators and spectators.<\/p>\n<p>Translated and edited by Dayla Perez Ortiz.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Guantanamo.-The 48th Political Song Festival is being held this year with a special focus: the influence of la nueva trova (the new trova) on Cuba&#8217;s audiovisual production, a topic that not only resonates in the musical sphere, but has also left an indelible mark on the island&#8217;s cinema. That is why this edition of the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":9021,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13],"tags":[1812,1810,1811,1813],"class_list":["post-9011","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-guantanamo","tag-48th-political-song-festival","tag-la-nueva-trova-in-cuban-cinema","tag-the-influence-of-the-new-trova-on-cubas-audiovisual-production","tag-to-inspire-new-generations-of-creators-and-spectators"],"_links":{"self":[{"href":"https:\/\/www.radioguantanamo.icrt.cu\/english\/wp-json\/wp\/v2\/posts\/9011","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.radioguantanamo.icrt.cu\/english\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.radioguantanamo.icrt.cu\/english\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.radioguantanamo.icrt.cu\/english\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.radioguantanamo.icrt.cu\/english\/wp-json\/wp\/v2\/comments?post=9011"}],"version-history":[{"count":2,"href":"https:\/\/www.radioguantanamo.icrt.cu\/english\/wp-json\/wp\/v2\/posts\/9011\/revisions"}],"predecessor-version":[{"id":9020,"href":"https:\/\/www.radioguantanamo.icrt.cu\/english\/wp-json\/wp\/v2\/posts\/9011\/revisions\/9020"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.radioguantanamo.icrt.cu\/english\/wp-json\/wp\/v2\/media\/9021"}],"wp:attachment":[{"href":"https:\/\/www.radioguantanamo.icrt.cu\/english\/wp-json\/wp\/v2\/media?parent=9011"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.radioguantanamo.icrt.cu\/english\/wp-json\/wp\/v2\/categories?post=9011"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.radioguantanamo.icrt.cu\/english\/wp-json\/wp\/v2\/tags?post=9011"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}